Avion en papier
Origami Instructions Free Online Plan also shows the results graphically of moving away from the 'purest' form of Origami in each one of the eight directions. In some cases I have marked the art as 'open-ended', for example paper-cuts.
By this I mean that we will no longer have a shut system typical of Origami where a procedure exists to create a model and can return to the starting point. It is arguable that it is the closed-system through which can some- how break, this is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well set up for Origami.
Kent du Pre has done such focus on Symmetric figures such as stars from which flowers can be collapsed. Irregular figures have came out occasionally, but the most extreme form only occurs in Paper Wonder with Rolf Harris's models. Silhouettes do not have restrictions in the Origami sense and are of course closely related to paper slicing. In its simplest form cuts are made before to folding in a symmetric and planned way which will 'open up' the fabric available without the need for excessive thickness. The most recent talk about of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very Avion En Papier Qui Vole Longtemps Et Loin early Japanese Origami.
Uchiyama is reported as acquiring a patent in 1908 for 'KOKO'. style origami which appears to be the same in principle. Japanese books are packed with slitting to achieve ear or a tail or even legs. Perhaps one of the most famous examples of theme 'slits to avoid folding' is in Fred Rohm's Festival pony in which 2 cuts are made, one for the ears and the other to offer enough points for the legs. Rohm folded his Circus pony without cuts but the technique is then much more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other to avoid the complexities of a model achieved only by folding.
Inside a corner of the Livelihood Industry Pavilion at EXPO', electricity was used to make Origami pigeons argument their wings. Modelling This is now usual in animal folds to call for a final modelling particularly if foil has been used and one can make certain of the substance remaining in place. A modern day example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to THREE DIMENSIONAL insists on any modeling following the folding The technique of wetting the paper seems to be Japanese in origin was Avion En Papier Pliage Qui Vole Bien demonstrated by Yoshizawa at a Convention in Liverpool. Another method of damp moulding using paste in the preparation is discussed by Alice Gray the girl was shown it by Yoshizawa during a visit to Japan. The folds up tend to be gentle and are approaching statue rather than Origami.
Bateau en papier
Typically the associated arts are Weaving cloth and Macrame which are open-ended. However with string we can have 'Cats Cradles' which is a closed-systems game with direct analogies to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The particular sheets of paper are folded together but usually opened at the finish to Origami Paper Box show the multi-layers usually with different shades. In flower folding and possible doll-making the multi-layer technique is exploited for the own sake with little or no folding included. Multi-Part Isao Honda (15) was probably the first to publish techniques involving 2 separate sheets of papers each folded to represent some part of the animal and then brought with each other. The concept may well be traditional; if not in how Honda uses it - see for example the Pagoda in Paper Miracle. Recently kits have made an appearance for folding a monster from a amount of potager of different sizes.
Comment faire un avion en papier
most extreme combinations of water and paper we are, naturally , in the world of papier-mache which is plainly an open-ended art. DecoratingThe simplest step from the single colour is one side female and one white or plain. A great offer of modern Origami intrusions this colour difference. A new delightful example is Joan Homewood's Robin. We can use the texture of our material which need not even be foil or paper. Neal Elias collects patterned foil and has shown models in 3 colours which depend after deciding on the best pattern and cutting his material to get the colour exactly where he wants them. A more restricted Origami Crane Easy form of decoration occurs in Japanese papers which are already printed with a design well suited for an exclusive model. The end of this process is evidently the decoration of the final model and so into the decorative art proper which is open-ended. Lengthening By stretching our square we obtain rectangles then ribbon and finally string.
Fleur en papier
The trimming out of holes etc. to indicate eyes and so forth is sometimes found in Japanese books and we are obviously dealing with a approach which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Avion En Papier Simple Honda has called this kind of paper-craft Mon-Kiri (which means crest-making). The particular last step in the slitting or cutting is paper-cutting, some of the finest examples are probably from China and plainly here we have an open-ended Talent. Supporting A way of moving away from the 'pure' central form is that of supporting or adding display mechanics to the models. In its simplest form we might use glue, staples or 'blue tac' to hold a model in the desired pose and position. Or we may use wiring or card. Probably the most unusual form of 'display mechanics' that We am knowledgeable about is by Toyoaki Kawai.